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BEST BUDGET
Yamaha FGX800C
$220–$320 used
BEST MID-RANGE
Taylor 114ce
$550–$750 used
BEST PRO STAGE
Epiphone DR-500MCE
$1,200–$1,600 used

Acoustic-electric guitars are acoustic guitars with built-in pickup systems that let you plug into a PA or amplifier. They play and sound like normal acoustic guitars when unplugged — the electronics are there for when you need volume.

This guide covers the best acoustic-electrics at every price point from $180 to $1,600 used, with a focus on pickup system quality for live performance. All prices are used market values (mid-2026).

The 9 Best Acoustic-Electric Guitar

#1

Yamaha FGX800C

Dreadnought cutaway · Solid Sitka spruce top, scalloped bracing$220–$320 used

Best for: First acoustic-electric, gigging on a budget, versatility

The Yamaha FGX800C is the most practical acoustic-electric for players who need reliable amplified sound without spending premium money. The System 66 undersaddle pickup produces a clean, usable tone through any PA, the solid spruce top sounds genuine acoustically, and Yamaha's quality control means you rarely get a bad unit. The cutaway version adds upper-fret access for lead playing. Used at $220–$320, it outperforms anything near it at this price point.

What to check used: Check the preamp battery contact for corrosion — 9V battery compartment in the upper bout. Verify the tuner function on the preamp is reading accurately. The cutaway side is usually fine but inspect the binding around the cutaway for any separation.

#2

Taylor 114ce

Grand Auditorium cutaway · Solid Sitka spruce top, layered walnut back/sides, ES2 pickup$550–$750 used

Best for: Stage performance, bright articulate tone, live gig plug-in

The Taylor 114ce is the benchmark mid-range acoustic-electric. Taylor's ES2 pickup — mounted behind the saddle rather than under it — produces a more natural acoustic tone plugged in than almost any undersaddle pickup. The Grand Auditorium body is versatile across fingerpicking and strumming styles. The solid spruce top opens up and improves with age. At $550–$750 used, the 114ce is genuinely professional-grade for stage use.

What to check used: Taylor's ES2 pickup has three small adjustment screws on the saddle — verify the pickup hasn't shifted or been overtightened. The layered walnut back and sides are stable but check for any play in the top bracing by pressing gently near the soundhole. Check the Taylor bolt-on neck joint hasn't shifted.

#3

Epiphone DR-500MCE

Dreadnought cutaway · Solid mahogany top, rosewood fretboard, Shadow preamp$250–$380 used

Best for: Warm fingerpicking tone, budget folk/Americana, plugged-in acoustic gigs

The Epiphone DR-500MCE is distinctive for using a solid mahogany top instead of spruce — mahogany produces a warmer, darker tone that suits fingerstyle and folk better than the bright sparkle of spruce. The Shadow preamp system with built-in tuner is more than adequate for live use. For players who find spruce-top acoustics too bright for their playing style, the DR-500MCE offers a genuinely different sonic character.

What to check used: Verify the mahogany top has no cracks along the grain (mahogany is more crack-prone than spruce). Check the nut is original — Epiphone nuts can be replaced with better material on older units. The Shadow preamp battery is in the upper bout; check the 9V contacts.

#4

Seagull S6 Original ENTB

Dreadnought · Solid cedar top, wild cherry back/sides, Fishman Presys pickup$420–$580 used

Best for: Warm-voiced acoustic strumming, Canadian build quality, stage projection

Seagull's S6 Original is one of the best-value solid-wood acoustic guitars on the market — the solid cedar top produces a warm, immediately responsive tone that cedar is known for. The ENTB version adds a Fishman Presys pickup, giving you a clean plugged-in signal with the natural warmth the cedar top produces acoustically. Seagull builds in La Patrie, Quebec with serious quality control. Used S6s are genuinely impressive guitars at $420–$580.

What to check used: Cedar tops can develop a 'moose mark' — a small dark spot where the neck block meets the top — but this is cosmetic, not structural. Verify the Fishman Presys battery slot contacts are clean. Seagull's integrated neck joint (set neck) is very stable — check for any heel crack where the neck meets the body.

#5

Martin GPCPA4

Grand Performance cutaway · Solid Sitka spruce top, solid ovangkol back/sides, Fishman Aura VT pickup$700–$950 used

Best for: Professional stage performance, recording with authentic acoustic tone, pro folk/Americana

The Martin GPCPA4 is Martin's professional acoustic-electric — the Fishman Aura VT pickup system uses an 'aura image' (a sampled mic recording of the specific guitar model) to blend with the pickup signal, producing plugged-in tone that sounds far more like a real microphone than a standard undersaddle pickup. For artists who play staged shows without wanting to mic their acoustic guitar, the GPCPA4 delivers professional tone at a reasonable used price point.

What to check used: The Fishman Aura VT has the most complex control setup of any pickup system — preamp, feedback control, and Aura blend. Verify all functions work. Martin's X-bracing should be solid; press gently on the top near the soundhole to check for any bridge plate movement.

#6

Gibson J-45 EC

Slope-shoulder dreadnought cutaway · Solid Sitka spruce top, solid mahogany back/sides, LR Baggs pickup$1,200–$1,600 used

Best for: Songwriter/session player acoustic-electric, warm Gibson voice plugged in, high-end stage acoustic

The Gibson J-45 EC is one of the most-used acoustic-electric guitars in professional recording and stage performance. The J-45 voice — warm, slightly compressed, excellent for singer-songwriter fingerstyle and strumming — carries through into the LR Baggs pickup system effectively. Gibson's scalloped X-bracing is renowned for its resonance. The cutaway EC model makes this the most playable J-45 for upper-fret work. Used at $1,200–$1,600, it's within reach as a working musician's primary stage acoustic.

What to check used: Gibson acoustic cutaway binding can sometimes separate at the heel — check that area carefully. The LR Baggs Anthem pickup (on later models) or LR Baggs Element (earlier) should produce clean output with no hum through a DI box. Check the bridge saddle for even contact across all strings.

#7

Takamine GN93CE

NEX cutaway · Solid spruce top, rosewood back/sides, Takamine TK-40D preamp$350–$480 used

Best for: Stage volume, reliable tone, mid-level player acoustic-electric

Takamine built their reputation supplying acoustic-electrics to touring artists — their TK-40D preamp system is one of the most stage-proven pickup systems in the market. The NEX cutaway body sits between a jumbo and grand auditorium in projection — it's loud acoustically, which means it keeps up with a band without excessive amplification. Used Takamines are reliable working guitars with no-nonsense tone.

What to check used: Takamine preamps use their own 12V battery system — not 9V — verify the battery type and contact condition. Check the rosewood back and sides for any repaired cracks (common on instruments that have toured). The top brace under the pickguard area should be solid.

#8

Fender CD-60SCE

Dreadnought cutaway · Solid spruce top, mahogany back/sides, Fishman pickup$180–$260 used

Best for: Budget acoustic-electric, beginners who want to plug in, student guitar

The Fender CD-60SCE delivers a solid spruce top at entry-level pricing — for a new player who wants an acoustic-electric that can actually improve with age and playing, the solid top makes the CD-60SCE a legitimate starting instrument. The Fishman pickup provides reliable amplified output. At $180–$260 used, it's the best acoustic-electric at the beginner budget point.

What to check used: Check the nut slots are well-cut — Fender budget acoustics sometimes have high action from the factory which makes them uncomfortable to play. Verify the Fishman pickup is outputting clean signal and the battery contacts are not corroded.

#9

Breedlove Discovery S Concert CE

Concert cutaway · Solid Sitka spruce top, African mahogany back/sides, LR Baggs Stage Element pickup$380–$520 used

Best for: Fingerstyle acoustic-electric, warm concert-body tone, gigging singer-songwriter

Breedlove is an Oregon-based builder that competes with Seagull and lower-tier Taylor for genuine quality at mid-range pricing. The Discovery series uses solid spruce tops and the LR Baggs Stage Element pickup — one of the better-regarded undersaddle systems. The concert body (similar to a 000) is comfortable for seated playing and fingerstyle. Used Breedlove instruments represent excellent value compared to equivalent Taylor and Martin models at this size.

What to check used: Breedlove uses a bolt-on 'pinless bridge' design on some models — verify the bridge saddle is seated correctly and the strings are feeding through the bridge pin holes cleanly. Check for any heel crack on the neck joint.

Acoustic-Electric Guitar Buying Checklist

  • Pickup system type: Undersaddle piezo: most common, reliable, can sound thin at high volume. Blend (piezo + mic): more natural tone, requires more careful feedback management. Pure mic: most natural, most feedback-prone. Know which type you're buying.
  • Battery condition and contacts: Acoustic-electric preamps run on 9V or 12V batteries. Check the battery compartment for corrosion on the contacts. Replace the battery if it's been sitting unused — dead batteries leak acid onto contacts.
  • Preamp functions: Test all preamp controls: volume, bass, treble, midrange, tuner, phase switch. A phase switch inverts the pickup signal — useful for fighting feedback. Verify the built-in tuner (if present) is reading accurately.
  • Plugged-in tone test: Bring a 1/4" cable and a small amp or audio interface to test the plugged-in tone. Listen for hum, crackle, buzzing, or dead frequencies. A clean acoustic tone plugged in is the whole point of the guitar.
  • Acoustic tone without amplification: Play the guitar unplugged first. The acoustic voice should be full and resonant — a guitar that sounds weak acoustically will sound weak amplified regardless of the pickup quality. Tap the top — it should have a resonant ring.

Frequently Asked Questions

What is the difference between an acoustic and acoustic-electric guitar?

An acoustic guitar produces sound entirely acoustically through the resonance of the hollow body. An acoustic-electric guitar adds a pickup system — typically an undersaddle piezo pickup, an internal microphone, or a combination — that lets you plug into an amplifier or PA system. Both types play and sound the same acoustically when not plugged in; the acoustic-electric adds the option to amplify.

Do I need an amp for an acoustic-electric guitar?

No — an acoustic-electric plays and sounds like a normal acoustic guitar when you don't plug it in. The pickup system is there for when you need amplification: live performances, open mics, playing with a band, or recording direct into an audio interface. Many players buy acoustic-electrics even when they don't need amplification immediately, because it's available if they ever do.

What is the best acoustic-electric pickup system?

The best pickup systems use a blend of a piezo undersaddle pickup and an internal microphone (or 'aura' sample). Taylor's ES2, LR Baggs Anthem, and Fishman Aura VT are considered the top systems for natural acoustic tone plugged in. Undersaddle-only systems (Fishman Presys, Yamaha System 66) are more affordable and more reliable but can sound slightly 'quacky' or unnatural at high volumes. The pickup system matters more than the guitar brand for live amplified tone.

Should I buy a cutaway acoustic-electric?

The cutaway body shape allows access to frets above the 12th fret — useful for lead guitar work and soloing on acoustic. The trade-off is a slight reduction in bass projection compared to a full-body dreadnought, because the cutaway removes a small portion of the body's resonant chamber. If you primarily play rhythm and strumming, a full-body non-cutaway acoustic sounds fuller. If you do lead playing or fingerstyle above the 12th fret, the cutaway access is worth the trade-off.

What should I plug an acoustic-electric into?

A DI (direct injection) box into a PA system is the standard live setup. Most acoustic-electrics have a 1/4" jack output that can plug directly into a PA channel or a dedicated acoustic amplifier. Avoid plugging into an electric guitar amp — the speaker cab and EQ of an electric guitar amp is not designed for acoustic frequencies and will produce a harsh, unnatural tone. Acoustic amplifiers (Fishman Loudbox, AER Compact, Roland AC series) are designed for the full frequency range of acoustic instruments.

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