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BEST VALUE
Yamaha FG800
$150–$220 used
BEST CANADIAN
Taylor 114ce
$250–$350 used
BEST MARTIN
Martin D-15M
$700–$900 used

Acoustic guitars hold value well but depreciate from new — a $2,000 Martin that's three years old is available for $1,200 used in excellent condition. The quality doesn't change with age. Your inspection skills determine whether you get a deal or a problem.

The main risks on used acoustics: top cracks, bridge lift, and neck set issues. All are visible on inspection. All are repairable. All affect the price significantly — knowing what to look for is the skill that saves you money.

Acoustic guitar body types — choose before you buy:

Dreadnought

Large, full-bodied — the most common type. Best for strumming, flatpicking, and bluegrass. Martin D-28, Gibson J-45. Best for: strumming, flatpicking, country, bluegrass.

Grand Auditorium

Mid-size with a waist — balanced between dreadnought volume and fingerpicking clarity. Taylor 814ce, Martin Grand Performance. Best for: singer-songwriter, fingerpicking, versatile.

Orchestra Model (OM)

Similar to Grand Auditorium but slightly smaller. Excellent for fingerpicking and recording. Martin OM-28. Best for: fingerpicking, recording, smaller players.

Parlor

Small, intimate body — great for travel and recording. Quieter, less bottom end. Martin 00, Collings 001. Best for: travel, recording, fingerpicking, smaller players.

Jumbo

Larger than dreadnought — maximum volume and bass response. Guild F-55, Gibson J-200. Best for: flatpicking, strumming, stage performance.

Classical / Nylon String

Smaller body, nylon strings, wider neck, no truss rod on many models. Not interchangeable with steel-string technique. Best for: classical, flamenco, bossa nova.

The 8 Best Used Acoustic Guitar Buying Guide

#1

Yamaha FG800

Solid Sitka spruce top · Nato back/sides$150–$220 used

Best for: Best used acoustic under $250, beginners

The best used acoustic guitar under $250. The FG800's solid spruce top produces real resonance that laminate guitars can't match. Yamaha's quality control is exceptional — every FG800 that leaves the factory plays and sounds consistent. The most recommended beginner acoustic by guitar teachers worldwide.

What to check used: Check the neck joint angle (Yamaha occasionally ships with high action from the factory). A $50 setup makes a significant difference.

#2

Taylor 114ce

Layered spruce top · Grand Auditorium, ES2 electronics$600–$800 used

Best for: Entry-level Taylor, acoustic-electric

The easiest-playing acoustic at this price point. Taylor's NT neck bolt-on system means no neck reset needed even after decades. The 114ce's cutaway reaches the upper frets. Expression System 2 electronics are reliable and natural-sounding. Strong resale value.

What to check used: Verify ES2 electronics work (battery behind the saddle). Check binding at cutaway for cracks — stress concentration point.

#3

Martin D-15M

Solid mahogany top · All-mahogany construction$700–$900 used

Best for: Fingerpicking, singer-songwriter, warm tone

Martin's simplest satin-finish all-mahogany guitar. Warmer, more focused tone than a spruce-top — preferred by many fingerpickers and singer-songwriters. Martin quality and resale value at the most accessible price point in the lineup.

What to check used: Check neck set angle (Martin necks eventually need resetting — common on guitars over 15 years old). Check bridge for lifting (slide credit card under front edge).

#4

Martin D-28

Solid Sitka spruce top · Solid East Indian rosewood$1,800–$2,500 used

Best for: Dreadnought classic, flatpicking, bluegrass

The most imitated dreadnought acoustic ever made. D-28 used prices are very stable — Martins are always in demand. The rosewood back and sides give complex low-end that mahogany can't match. Pre-war D-28s (1930–1946) with herringbone binding are legendary collector instruments.

What to check used: Check action at 12th fret (bass side over 7/64" needs a neck reset). Check for top cracks (treble side upper bout). Bridge lift. All are expensive repairs — factor into the price.

#5

Gibson J-45

Solid Sitka spruce top · Solid mahogany back/sides$1,500–$2,200 used

Best for: Gibson's classic strummer, round-shoulder dreadnought

Gibson's best-selling acoustic since 1942. The J-45's round-shoulder dreadnought is slightly smaller and more balanced than the D-28. The mahogany back and sides give warmth rather than brightness. Great for strumming and recording.

What to check used: Non-adjustable truss rod on vintage examples. Gibson acoustic necks eventually need resetting. Check the bridge plate (through the soundhole with a mirror) for lifting.

#6

Taylor 814ce

Solid Sitka spruce top · Solid rosewood, Grand Auditorium$2,200–$3,000 used

Best for: Taylor's flagship Grand Auditorium, recording and live

Taylor's flagship Grand Auditorium. Rosewood back and sides, Expression System 2 electronics, cutaway — the most versatile acoustic in its class. Taylor's bolt-on NT neck means no neck resets. Very strong resale value.

What to check used: Verify ES2 works. Check cutaway binding. Ask for Taylor Lifetime Warranty documentation — transfers with proof of purchase.

#7

Seagull S6 Cedar

Solid cedar top · Wild cherry back/sides$250–$350 used

Best for: Best Canadian value, fingerpicking and vocals

The best acoustic guitar made in North America at its price point. Seagull is a Canadian brand (Godin family) with solid-top construction across the lineup. The cedar top gives a warmer, quicker response than spruce — great for fingerpickers and players who want projection without hard strumming.

What to check used: Cedar tops dent more easily than spruce — check for dings in the top. Seagull uses a multi-scale compensated nut that improves intonation — make sure it's original.

#8

Guild D-55 (Westerly era)

Solid Sitka spruce top · Solid rosewood, Rhode Island made$500–$800 used (Westerly)

Best for: Vintage American quality at a discount

Guild's Westerly (Rhode Island, 1967–2001) era kits are among the best-value vintage acoustics available. Build quality rivals Martin at a fraction of the collectible price. Westerly-era Guilds are particularly respected by players who know them — an underrated pickup.

What to check used: Guild had production gaps and ownership changes — research the specific year before buying. Westerly (RI) Guilds are the sweet spot; avoid transition-period instruments.

Acoustic Guitar Inspection Checklist

  • Check top for cracks: Inspect under a single bright light. Check along the treble side upper bout near the neck, around the bridge, and along the lower bout edges.
  • Bridge lift test: Slide a business card under the bridge front edge. Any gap means the bridge is lifting — this is a structural issue, not cosmetic.
  • Check action at 12th fret: Bass side should be 7/64" or less, treble side 5/64" or less. Higher action may indicate a needed neck reset.
  • Sight down neck for straightness: Should be straight with slight forward bow. Back-bow or S-curve requires truss rod adjustment.
  • Inspect bridge plate: Look through the soundhole at the bridge plate with a mirror and flashlight — it should be flat against the top, not lifting.
  • Check binding: Inspect binding for cracks or separations, especially at the body joints.
  • Verify truss rod movement: Ask seller to demonstrate. A stuck rod on vintage guitars is common and limits adjustability.
  • Play every note: Listen for fret buzz (setup issue) vs dead notes (structural problem).
  • Tap for loose braces: Tap the top, back, and sides — a hollow thud in one spot can indicate a loose internal brace.
  • Check tuner buttons: Verify tuner buttons are intact and tuners turn smoothly without slipping.
  • Test acoustic-electric electronics: For acoustic-electrics: test the electronics, battery compartment contacts, and all EQ controls.
  • Ask about humidity history: Acoustics stored without humidification in dry climates develop cracks. Ask where and how it was stored.

Frequently Asked Questions

Is it safe to buy a used acoustic guitar?

Yes, with proper inspection. Acoustic guitars are actually more predictable used than electrics in some ways — there are no electronics to fail, and structural issues (neck set, bridge lift, top cracks) are visible on inspection. The risks are: top cracks from humidity, bridge lifting from heat or humidity, and neck set issues from long-term string tension. All are fixable but can be expensive — factor them into the price.

What is a neck reset and how do I know if an acoustic needs one?

A neck reset is a repair where the guitar's neck joint angle is adjusted to bring the action back into proper range. Over time, string tension causes the neck to rotate slightly upward, raising the action. Test: press a string at the 1st fret and 14th fret. If there's more than 0.5mm of gap at the 7th fret, a reset may be needed. Neck resets cost $150–$300 from a skilled luthier.

What is the difference between solid wood and laminate acoustic guitars?

Solid wood guitars use real wood for the top, back, and sides. Laminate (plywood) uses multiple thin wood layers bonded together. Solid wood resonates better, improves with age, and has more complex tone. Laminate is more resistant to humidity and temperature changes, cheaper to manufacture. For beginner guitars under $300, laminate is acceptable. For anything above $400, look for at least a solid top — the tonal difference is significant.

What brands make the best used acoustic guitars?

Top brands for buying used: Martin (excellent resale, known quality, USA-made), Taylor (bolt-on neck = no resets, consistent quality), Gibson (vintage instruments legendary, modern quality varies), Yamaha (best value-for-money, excellent QC), Guild (undervalued Westerly-era instruments), Seagull (Canadian solid-top value). Avoid no-name imports, guitars where you can't verify solid wood, and instruments where action is so high it can't be fixed with saddle adjustment.

How do I check for top cracks on an acoustic guitar?

Examine the guitar under a single bright light source at various angles. Cracks appear as hairline shadows running along the grain. Check the entire top: from the bridge to the soundhole, along both sides of the bridge plate, along the lower bout edges, and especially the treble-side upper bout near the neck joint. Run your fingernail across any suspicious line — if it catches (drops into the crack), it's structural.

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