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BEST VALUE
Ibanez GB10SE George Benson
$37 on Reverb
CLASSIC
Gibson ES-175 D
$1,209 on Reverb
MID-RANGE
Eastman AR371CE
$8 on Reverb

The jazz guitar sound is defined by the hollowbody archtop: warm, round, mellow. Charlie Parker, Dizzy Gillespie, and every bebop era guitarist played through archtops. The ES-175 is the canonical reference. The Ibanez GB10SE gives you 90% of it at a fraction of the cost.

This guide covers the best jazz guitars from $300 accessible options to $3,000 vintage American instruments. All prices are mid-2026 used market values.

The 8 Best Jazz Guitar

#1

Ibanez GB10SE George Benson

Thinline hollowbody archtop · Hollowbody, spruce top, maple back/sides, 2 Super 58 pickups, ebony fretboard, smaller body than ES-175$600–$700 new / $450–$580 used

Best for: Best value jazz archtop, George Benson signature tone, smaller body for comfort, Super 58 pickups

The Ibanez GB10SE is the most recommended mid-range jazz guitar — designed as a smaller, lighter version of the traditional jazz archtop in collaboration with George Benson. The Super 58 pickups capture warm, full jazz hollowbody tone. The thinner body (compared to full-depth archtops) reduces feedback susceptibility at louder jazz club volumes. For jazz guitarists who want archtop character without the investment of a heritage-brand instrument, the GB10SE is the standard recommendation. Used at $450–$580.

What to check used: The GB10SE is not compatible with heavy distortion or overdriven playing — the hollowbody construction produces acoustic feedback at high gain levels. It is specifically a clean and light-overdrive instrument for jazz, blues, and bossa nova. Players who want a guitar that doubles as a rock instrument should look at semi-hollow designs.

Available now

#2

Gibson ES-175 D

Classic hollowbody archtop · Laminate spruce top, laminate maple back/sides, two P-90 or humbucking pickups, full-depth hollowbody$2,500–$3,500 new / $1,800–$2,800 used

Best for: The definitive jazz guitar, Charlie Christian and Pat Metheny's instrument, Gibson heritage quality

The Gibson ES-175 is the most iconic jazz guitar — played by Charlie Christian (the inventor of jazz guitar), Herb Ellis, Joe Pass, Kenny Burrell, and Pat Metheny. The ES-175's warm, rounded tone with a pronounced midrange is the textbook jazz guitar sound. The pointed cutaway allows high-register access. If there is one guitar that defines jazz guitar tone, it is the ES-175. Used at $1,800–$2,800 for vintage examples.

What to check used: The ES-175 at $1,800–$2,800 used is a serious investment. Vintage ES-175s (1950s–1970s) command premium prices and require careful evaluation of their condition (top cracks, binding deterioration, pickup integrity). Modern reissues from Gibson are available at lower prices but vintage examples are prized. The Eastman AR371CE provides similar archtop character at significantly lower cost.

#3

Eastman AR371CE

Carved spruce top archtop · Hand-carved solid Sitka spruce top, maple back/sides, Seymour Duncan jazz pickups, bound ebony fretboard$1,100–$1,300 new / $800–$1,000 used

Best for: Hand-carved archtop quality at mid-range price, Eastman craftsmanship, Seymour Duncan pickups

The Eastman AR371CE is the most praised mid-range archtop — Eastman's Chinese workshop builds hand-carved archtops with quality that competing at Gibson's level at significantly lower prices. The solid carved spruce top (not pressed or laminated) produces acoustic resonance that contributes to the tone even with pickups. Seymour Duncan pickups provide professional-quality jazz tone. For jazz guitarists who want a serious instrument without ES-175 prices, the Eastman AR371CE is the recommendation. Used at $800–$1,000.

What to check used: Hand-carved solid tops are more sensitive to humidity and temperature changes than laminate tops. Keep the Eastman properly humidified (40-55% relative humidity) especially in dry climates. Archtop guitars with solid tops can crack in excessively dry conditions.

#4

Epiphone Casino

Fully hollow thinline electric · Fully hollow thinline, P-90 Dogear pickups, laminate maple construction, dot inlays, full hollow$450–$550 new / $300–$420 used

Best for: Beatles association (Lennon and McCartney played Casinos), P-90 character, versatile from clean to light overdrive

The Epiphone Casino is the most famous fully hollow thinline guitar — John Lennon and Paul McCartney both played Casinos during the later Beatles years and it is the guitar on many iconic late-1960s recordings. The P-90 Dogear pickups produce a brighter, more biting tone than humbuckers, which suits both jazz chord playing and bluesy lead work. The Casino is more versatile than full-depth archtops because the thinline body produces less feedback. Used at $300–$420.

What to check used: P-90 pickups are noisier (more 60-cycle hum) than humbuckers — in live performance with high stage volumes or bright stage lighting, P-90 hum can be noticeable. The Casino at high gain produces feedback from the fully hollow construction. It is a clean and low-gain instrument; use it within those parameters.

Available now

#5

Heritage H-575

American semi-hollow with jazz voicing · Semi-hollow construction, Heritage PAF-style pickups, figured maple top, center block, Kalamazoo Michigan made$2,200–$2,800 new / $1,500–$2,100 used

Best for: American-made quality, PAF-style warm humbuckers, semi-hollow feedback resistance, Kalamazoo heritage

The Heritage Guitar Company was founded by former Gibson employees in the original Gibson factory in Kalamazoo, Michigan. Heritage guitars use the same building techniques and some of the same tooling as vintage Gibson instruments. The H-575 semi-hollow is Heritage's jazz-voiced guitar — PAF-style pickups in a semi-hollow body. For players who want vintage American craftsmanship with living luthiers building their instruments, Heritage is unique. Used at $1,500–$2,100.

What to check used: Heritage guitars are made in small quantities and have a devoted following — their used prices reflect both the quality and the limited supply. Heritage instruments are investment-grade guitars that hold value well. The wait time for new Heritage instruments can be significant.

#6

Guild X-175 Manhattan

Classic American hollowbody archtop · Hollowbody archtop, laminate maple construction, Guild professional humbuckers, single cutaway, Guild American heritage$1,100–$1,300 new / $800–$1,000 used

Best for: Guild archtop heritage, American quality at mid-range price, full-body jazz hollowbody tone

The Guild X-175 Manhattan is Guild's hollowbody jazz guitar — Guild has been building archtop guitars since the 1950s and the X-175 is a modern continuation of that tradition. The Guild humbuckers produce warm, articulate jazz tone. For players who want American-heritage archtop quality without Gibson prices, the Guild X-175 is the direct alternative. Used at $800–$1,000.

What to check used: Guild's production history has moved between American and Korean manufacturing at different times — verify the specific production year and location when evaluating used instruments. American-made Guild archtops are particularly well-regarded. Current (2024+) production quality is excellent under the newer ownership.

Available now

#7

D'Angelico Excel SS

Semi-hollow jazz guitar (modern boutique) · Semi-hollow, D'Angelico Excel construction, Seymour Duncan pickups, chrome hardware, center block, various finishes$1,200–$1,600 new / $900–$1,300 used

Best for: D'Angelico heritage in a semi-hollow form, Seymour Duncan quality pickups, modern construction with vintage aesthetics

D'Angelico is a revived heritage brand — the original John D'Angelico was a New York archtop luthier whose instruments (hand-built in Manhattan from 1932-1964) are now museum pieces. The modern D'Angelico company produces instruments that honor the original aesthetic with contemporary construction. The Excel SS semi-hollow uses Seymour Duncan pickups and is built to professional standards. For players who want the D'Angelico heritage and aesthetics in a playable, available instrument, the Excel SS is the accessible path. Used at $900–$1,300.

What to check used: Modern D'Angelico instruments are Korean-manufactured despite the American heritage branding — they are quality instruments but not hand-built like the originals. The price reflects the brand heritage and the legitimate quality of the current production. Players who want American-made quality should look at Heritage or Guild instruments.

#8

Godin 5th Avenue Jazz

Hollowbody archtop (Canadian-made) · Fully hollow archtop, Canadian wild cherry body, Godin pickups, pressure-tested spruce top$700–$850 new / $500–$650 used

Best for: Canadian-made quality at mid-range price, pressure-tested spruce top, unique Godin tone character

The Godin 5th Avenue Jazz is a Canadian-made hollowbody archtop from the same company as Seagull — Godin is a well-regarded Canadian manufacturer that produces guitars with solid wood construction at prices below comparable American brands. The pressure-tested spruce top provides acoustic resonance that enhances the pickup tone. For jazz guitarists who want North American quality without ES-175 prices, the Godin 5th Avenue Jazz is a strong alternative to the Ibanez GB10SE. Used at $500–$650.

What to check used: The Godin 5th Avenue Jazz has a fully hollow construction — feedback susceptibility at high gain levels. Use it within jazz and light-overdrive territory. The Godin's pickup tone is less traditional-vintage than PAF-style or P-90 pickups; the Godin house pickups have their own character that some players love and others find different from heritage jazz tone.

Jazz Guitar Buying Checklist

  • Feedback susceptibility test: For hollowbody archtops: test at live performance volume levels through a moderate-gain amplifier. Position the guitar at angles to the amp speaker and verify feedback is controllable. Full-depth hollowbodies are more susceptible to feedback than thinlines and semi-hollows. At jazz-appropriate volumes (clean, moderate level), most quality hollowbodies are manageable. Mark the volume ceiling where feedback begins and verify it is above your performance level.
  • Pickup height and tone control: Jazz guitarists typically use the neck pickup exclusively for jazz tone, often with the tone control rolled back to 5-7 for warmth. Test this combination — neck pickup, tone at 7, volume at 8-9 — on the specific amplifier you intend to use. The jazz tone character should be warm, full, and mellow. Verify the guitar produces this character in your intended setup.
  • Action and setup: Archtop jazz guitars traditionally use higher action than solid-body guitars — the higher action contributes to a louder acoustic response and a particular jazz feel. Verify the action is comfortable for your playing. If the action is too high, the adjustable bridge (tune-o-matic or wood bridge) can lower it. An excessively low action on an archtop produces buzzing from the typically thicker flatwound strings used for jazz.
  • Binding and finish condition: Archtop guitars have extensive binding (the white, cream, or black decorative trim around the top, back, neck, and headstock). Binding deteriorates on older instruments — check for shrinkage (binding pulling away from the body), cracks, or peeling. Binding repair is possible but expensive ($200-500 depending on extent). Cosmetic binding issues do not affect tone but affect value significantly.

Frequently Asked Questions

What type of guitar is best for jazz?

Traditional jazz guitar: full-depth hollowbody archtop (ES-175, GB10SE, Eastman AR371CE). The large hollow body produces the most acoustic resonance and the warmest, most rounded electric tone. Standard in mainstream jazz and bebop. Thinline hollowbody: Casino, Gretsch thinlines. Lighter, less feedback susceptibility than full-depth. Suits jazz and rockabilly equally. Semi-hollow: Gibson ES-335, Heritage H-575. Solid center block reduces feedback almost to solid-body levels while providing some hollow warmth. The most versatile — works for jazz and rock. For traditional jazz in small ensembles: full archtop. For players who also play blues and rock: semi-hollow.

Do jazz guitarists use flatwound strings?

Traditionally, yes — flatwound strings (flat outer wrap wire produces a smooth surface) have less high-frequency content and more low-midrange warmth than roundwound strings. The warm, muted, thick tone of flatwound strings is the textbook jazz guitar sound. Modern jazz players are divided: traditional players (bebop, mainstream jazz) prefer flatwounds; players who cross into fusion, blues, or rock prefer roundwounds for their brightness and articulation. Recommended flatwound sets for jazz: D'Addario Chromes, Thomastik Infeld Jazz Swing. Light gauges (.011-.049) are most common for jazz.

Can I learn jazz on a regular electric guitar?

Yes, absolutely. The jazz guitar sound is partially the instrument (hollowbody character, flatwound strings) but mostly the technique (chord voicings, vocabulary, articulation). Countless jazz players learned and developed on solid-body guitars. A Stratocaster with flatwound strings and the tone knob rolled back produces a serviceable jazz tone. The specific purchase of a hollowbody archtop is appropriate when the player is committed to jazz and wants the traditional instrument character. Start with the guitar you have.

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