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BEST ALL-AROUND
Dunlop Tortex .88mm (Orange)
$5–$8 for 12-pack
LEAD GUITAR
Dunlop Jazz III
$5–$8 for 6-pack
ACOUSTIC
Fender 351 Medium
$3 on Reverb

The guitar pick is the smallest piece of equipment with the largest direct impact on your tone and technique. Thickness affects attack and flexibility. Material affects tone and grip. Shape affects precision and strumming comfort.

This guide covers the best guitar picks from budget 12-packs to boutique hand-made options. Prices are per-pick or per-pack for new stock.

The 7 Best Guitar Picks

#1

Dunlop Tortex .88mm (Orange)

Medium-thick pick (celluloid alternative) · .88mm thickness, Tortex material (synthetic tortoiseshell alternative), matte finish, standard shape$5–$8 for 12-pack

Best for: Best all-around medium pick, standard rock and electric guitar, Tortex feel and grip

The Dunlop Tortex (.88mm orange) is the most widely used guitar pick among professional rock players — Tortex is Dunlop's proprietary material that approximates the feel and tone of vintage tortoiseshell (now illegal) with excellent grip from the matte finish. The .88mm thickness is the middle ground: heavy enough for articulate single-note lines and light enough for strumming. Players from Billy Gibbons to James Hetfield have used Tortex picks.

What to check used: Tortex material feels slightly different from nylon and celluloid — it has a drier, grippier texture that players either love or prefer something smoother. Sample packs (multi-gauge sets) allow testing before committing to one thickness.

#2

Dunlop Jazz III

Small jazz-style pick (medium-thick) · 1.38mm, nylon material, small triangle tip, very precise point, Jazz III profile$5–$8 for 6-pack

Best for: Fast lead playing and shredding, jazz and fusion, precision picking, smaller pick preference

The Dunlop Jazz III is the most common pick among lead guitarists who prioritize speed and precision — its small body and pointed tip allow very controlled, precise picking. Used by Petrucci, Eric Johnson, and countless shred and jazz guitarists. The smaller size reduces the distance the pick travels per stroke, which contributes to faster picking. The 1.38mm thickness provides rigidity for controlled attack.

What to check used: The Jazz III is small and takes adjustment for players accustomed to standard-size picks — some players find the smaller body harder to hold initially. The small size also means less surface area for strumming; it is better suited for lead playing and single-note lines than rhythm strumming.

#3

Fender 351 Medium

Celluloid medium pick (classic teardrop) · Medium thickness celluloid, classic 351 shape, tortoiseshell or shell appearance, traditional tone$4–$7 for 12-pack

Best for: Traditional tone and feel, acoustic strumming, classic rock rhythm guitar, Fender association

The Fender 351 Medium is the most traditional guitar pick — celluloid material (the original pick material before nylon and Tortex) with the classic 351 teardrop shape. Celluloid produces a warm, slightly brighter tone on acoustic guitars compared to nylon picks. Medium thickness is the most versatile for players who strum acoustic guitar and do light electric playing. The Fender 351 is the standard Fender dealer pick included with guitars.

What to check used: Celluloid is more fragile than nylon or Tortex — celluloid picks can crack or chip at the tip, especially with aggressive picking. Celluloid is also slightly less consistent in thickness across picks in a batch. Players who play hard and frequently will go through celluloid picks faster than nylon alternatives.

#4

Dunlop Nylon .73mm (Thin)

Thin nylon pick · .73mm nylon, flexible, standard shape, very light gauge$4–$6 for 12-pack

Best for: Acoustic strumming, light chord work, beginners, players who prefer flexible picks

Dunlop Nylon .73mm is the standard thin pick — flexible enough to reduce pick noise on strummed chords while maintaining basic picking control. Thin picks are preferred by many acoustic strummers and beginners because the flexibility forgives imprecise pick angle. Nylon is one of the most durable pick materials. At .73mm, this is the lightest gauge that still has some body and control.

What to check used: Thin picks are difficult to use for precise single-note lead playing — the flexibility causes inconsistent attack and a floppier feel on single notes. Lead guitarists almost universally prefer medium or thick picks. Use thin picks specifically for strumming acoustic guitar; upgrade to medium or heavier for lead work.

#5

Gravity Picks Classic Standard

Boutique acrylic pick · Acrylic material, hand-finished, various thicknesses (.5mm–3mm), US-made boutique quality$4–$8 per pick

Best for: Boutique tone and feel, acrylic bright attack, handmade quality, tone-seeker players

Gravity Picks are American-made boutique picks — hand-finished acrylic produces a brighter, articulate attack compared to nylon or Tortex. Professional players who prioritize pick tone often prefer acrylic for its defined, bright articulation on single notes and arpeggios. Available in a wide range of thicknesses from thin strummers to extremely thick jazz-style. Each pick is individually finished by hand. Used by many touring and session guitarists.

What to check used: Gravity Picks are significantly more expensive per pick than mass-produced options ($4-8 vs $0.50). At that price, losing or wearing out picks is more costly. Many players who prefer boutique picks buy in small quantities to test and then stock up on their preferred thickness.

#6

Chicken Picks Badazz III

Thermosetting resin pick (rigid) · Thermosetting resin, 3.5mm extremely rigid, pointy tip, Dutch-made, extremely high hardness$5–$8 per pick

Best for: Maximum rigidity for clear attack, advanced players who want zero flex, fast articulate playing

Chicken Picks are extremely rigid thermosetting resin picks made in the Netherlands — the Badazz III is one of the most rigid commercially available picks with virtually zero flex. This level of rigidity produces extremely clear, defined attack with no loss of energy to pick bend. Players who want absolute control and consistent attack find that very rigid picks improve precision. Preferred by some jazz and fingerstyle players who want a plectrum with zero compliance.

What to check used: Extremely rigid picks require exact, consistent pick angle — there is no flex to compensate for slightly imprecise pick angle. They have a learning curve and are not appropriate for strumming (no give = harder attack on chords). These are specialist picks for players who have developed precise picking mechanics.

#7

Winspear Tips Plectrum

Boutique metal pick · Stainless steel, various shapes and thicknesses, extremely durable, metallic tone character$8–$15 per pick

Best for: Maximum durability, metallic bright tone (metal and prog), players who break or lose too many picks

Winspear Tips are handmade stainless steel picks — metal picks are essentially permanent (never wear out, never deform) and produce a very bright, metallic tone with very clear attack. Some metal and prog rock players prefer the aggressive brightness of metal picks. Used by players who are frustrated by the short lifespan of conventional picks and want a single investment that lasts indefinitely.

What to check used: Metal picks produce a distinctly different tone from plastic — brighter, more metallic, with a different contact feel. Players who prefer the warmth and compliance of nylon or Tortex will not prefer metal picks. Test before committing to the brightness and rigidity of metal.

Guitar Pick Selection Checklist

  • Test multiple thicknesses: If you are selecting a pick for the first time, purchase a sampler set or individual picks in thin, medium, and thick gauges. Play the same chord progression and scale with each. Note which thickness provides the most comfortable strumming and the clearest single-note attack. This test is the only reliable way to determine your preference.
  • Check tip wear over time: After a few hours of playing, examine the pick tip. Faster-wearing materials (celluloid, some softer plastics) develop a rounded tip that affects tone and attack. Premium materials (Tortex, nylon, acrylic) wear more slowly. Note the tip condition when you start using a pick and again after a week of playing to gauge wear rate.
  • Grip and stability: A pick that slips in your fingers affects timing accuracy and control. Test various materials for grip — Tortex's matte finish grips naturally, smooth celluloid and nylon require more grip pressure. Some players add grip texture by sanding the pick surface. Dimpled picks (with textured grip areas) are designed for players who find smooth picks slippery.

Frequently Asked Questions

What thickness guitar pick should I use?

Thin (.46-.60mm): acoustic strumming, beginners, very light feel. Soft, flexible, produces less attack. Medium (.73-.88mm): the most versatile. Works for both strumming and lead playing. Recommended starting point. Heavy (1.0-1.14mm): more control for single notes, more sustain, less flexible. Common for rock lead playing. Extra Heavy (1.2mm+): maximum control and attack. Jazz and progressive players. Common for flat picking. Recommendation: start with a medium (.73mm or .88mm). Test thicker and thinner from there based on your playing style.

What material is best for guitar picks?

Nylon: flexible, durable, slightly warm tone. Very common, consistent quality. Tortex (Dunlop synthetic): grips well due to matte finish, slightly brighter than nylon, very durable. The most common professional pick material. Celluloid: traditional material, warmer tone, slightly fragile. Classic feeling for traditional players. Acrylic (Gravity, Ultex): bright, clear attack. Boutique quality. More expensive. Metal: essentially permanent, very bright tone, different feel. Specialist choice. Recommendation: start with Tortex or nylon for consistent, affordable quality.

Does pick shape matter?

Standard 351 shape: the most common, versatile teardrop shape. Good for strumming and lead playing. Jazz shape (smaller, pointier): better for precise single-note playing and faster lead work. Less surface area for strumming. Triangle (equilateral): three usable tips for extended playing. Common in jazz and flamenco. Stubby (wide, rounded tip): produces a warm, dark tone. Associated with Carlos Santana. Standard 351 shape is appropriate for most players.

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